It's a lot of phrases describing fear, including physical reactions, physical sensations, facial… Boom. Let us say you are out for a nice walk in the woods and suddenly out in front of you jumps a cougar. Fear #2:  Avoiding death for the wrong reasons. xD Thanks for reading! In romantic novels or poems, it can be and often is a symbol for more abstract needs, like love. It’s not just what a character fears, but how they handle it, why they fear it, how they see it in themselves and others, and what it reveals about them as a character overall. In literature, characters fear being rejected, being loved, and being loved by the wrong person in almost equal proportions. Look at the backstory you've already got to find potential fears. Is fear a creative way to healthy outcomes? :)Stori Tori's Blog. Major conflict because of a misunderstanding. Other characters favor codes of renunciation that have been called by literary critics “the Great Tradition,” fearing that they will gain something by immoral or amoral actions; a variation on this fear is the fear, as George Eliot’s Dorothea puts it, “I try not to have desires merely for myself.” Not at all light for avid readers, this fear usefully reminds us that life is not really like a Henry James novel. In addition to the big, plot-changing fears, give your characters a sprinkling each of small fears as well. And if she didn't explain at first? Shakespeare has finely crafted Macbeth as a character that the audience feels pity for and fear … When it comes to health, there is nothing more important than managing to eat healthy food and doing exercise regularly.Nursing in Australia. You have to know the fear inside and out. Use them when they suit your plot. However, not any old fear will do. The problem with cartoonish, caricature-like villains is that … By this time Hale also fears his own conscience and the effect it is having on him. Closely allied to the fear of death — but not identical to it — the fear of illness is another constant though, as we’d expect, the disease most feared changes over time. Does it come out more tense? So, what exactly happens when you’re afraid? So what do people fear most? The literary record comes through loud and clear, showing many almost universal fears echoed throughout time. Some examples:  The Bible; Aeschylus, The Oresteia; Nathaniel Hawthorne, The Scarlet Letter; Dickens, Bleak House; Franz Kafka, The Trial; Arundhati Roy, The God of Small Things. That way it feels less like an add-on and more like a developed part of the character's personality. Some fears aren't really rooted in anything we remember but others began from something in our pasts. Numerous operas by Verdi, including Rigoletto and Un Ballo in Maschera use this theme, sometimes more than once; in fact, opera thrives on this fear, as in Bizet’s Carmen. Give villains explicit or implicit trauma. If you feel like a certain fear would make the plot better, then work a reason for the character to have it into the backstory. What's in a Name? Some examples: Shakespeare’s Sonnets (“Like as the waves make towards the pebbled shore”; Hamlet  (“To be or not to be”); John Keats (“When I have fears”); Virginia Woolf, The Waves; Pat Barker, The Ghost Road. It was not external but lay deep within himself. Literature loves paradox and so, paradoxically, the second … Use these three responses at different times to show different aspects of your character. Just enough to make her keep her distance when visiting her best friend's house, but not enough to send her screaming unless the dog leaps at her. Hmm, I wonder what conflicts would arise if he tried to kiss her and found out she had a phobia of germs. These monologues all find characters confronting, recollecting, or becoming their own fears. The bubonic plague used to be the leading contender; TB enjoyed a long dominance until cures were found. While he’s fighting cannibals in the jungle, he also has to deal with his fear of snakes. For instance, a character could be a bit scared of dogs. He feels emotionally because the Spirit Bear is indifferent to Cole's rage. Fear #1:  Death, death, death—did I mention death? Upon seeing the cougar your heartbeat will accelerate, your blood pressure rise… Be it a bump in the night, bullying, childhood fears, or a rogue gun man, no one is safe from their own mind when it comes to the terrors of imagination. I'm sure you could make a small (or large) list of things you're scared of. Some examples: Sophocles, Antigone (to bury her dead brother, Antigone famously courts death); Shakespeare several times — Hamlet again (“There is a providence in the fall of a sparrow”) and Antony and Cleopatra (to avoid capture by Octavius); Charles Dickens, A Tale of Two Cities (“It is a far, far better thing that I do than I have ever done”); Harry Potter in his pursuit of Voldemort. Literature loves paradox and so, paradoxically, the second greatest fear is avoiding death for the wrong reasons: when death will inevitably follow a noble or moral act or out of cowardice, especially in war. Likewise, a character who was in a house fire as a child might experience unwanted memories whenever they catch a whiff of smoke. The Difference Between Villains and Antagonists. For instance, a character could be a bit scared of dogs. Fear #4:  Killing or causing the death of someone you love. What is a character chat? It’s the story that inspired Moby Dick. But what’s meant by the law changes over time. Survival tends to trump the finer emotions when it comes to fear. Tie these together using fears. Often, fueled by programs seen on television, children's fantasy fears, such as ghosts, dragons, and supernatural characters, find their way into the preschooler's play and dreams. [TOP TIP: Use our Character Creation Kit to help you create great characters for your stories.] This actually escalated to PTSD. You need to submit each character you want one at a time. While they have great empathy for … Seriously, I'll start shrieking if one gets too close (I. Think about what your character is trying to avoid, and why. Tolkien’s The Lord of the Rings. Tweet It! Fear #7:  Lost reputation, divorce or scandal. Okonkwo strives all of his life to become a stronger, more powerful, and a … While other disasters arouse fear — earthquakes, volcanos — war and shipwrecks lead the field. E) The Importance Of Fear In Plotting Thank you for sharing such wonderful information! Lust for power. Fear of intangible things-for example, being abandoned-may also increase. At 4, many children are afraid that if a grandparent or a pet dies, they'll die, too. There are different types of fear. Your character’s underlying fears are just as important as their desires and motivations. Your sympathetic nervous system deals with arousal and expending energy so you are ready to either fight or run. I list the fear of death three times since it occurs in many forms: fear of our own deaths, fear of family members or close friends dying, fear of children preceding parents, the death of an entire culture. People have been asking me for this list for such a long time! This fear is illogical, yet it has dictated much of my day, and if I had an option that didn’t involve needles, I’d take it. While fear of God’s judgment remains plausible in literature, it is far less common today than fear of society’s laws — and specifically the rapacity of lawyers and the law’s ability, in Dickens’ words, “to make business for itself.” In some modern books, the law becomes a metaphor for the meaning of life. Situations that are triggering mean the character’s perceptions have been altered, and the response is an immediate onset of fear and anxiety. Forced into small boats with little food or water, they had three options: they could head to the nearest land, the Marquesas Islands, believed to be populated by cannibals; they could make a run for Hawaii and pray to escape the massive storms of the season; or they could attempt to catch a current to take them 1,500 miles to the coast of South America and risk running out of supplies on the way. Desire for power – the … The Enneagram is a personality typing system that has its origins in antiquity—with the Sufis and Desert Fathers. In addition to the big, plot-changing fears, give your characters a sprinkling each of small fears as well. The list below begins with the biggest, blockbuster fears and moves to ones that are more time specific and even quaint. If the Ancient Mariner wasn’t frightened by the albatross around his neck? Whether it is a small fear, like being scared of bees, or a large fear, like dying, you're going to have at least one fear unless you've got a abnormal brain (topic for another time). Some characters want life to be elevated, inflated, like epic or romantic literature. There are many more, make … Inspiration From the Battle of Gettysburg, Make Them Run! Fear #10:  That real life won’t resemble literature. It is a persistent, irrational fear of a specific object, activity, or situation that leads to a compelling desire to avoid it. If you write horror, suspense, mystery, or any kind of fiction with a scary scenes, you need to know how to describe fear. I tried not to give my main character that fear however, to make her seem stronger in that scene. In this way you shall make life as hard as possible for your dear charrie, and we all know that characters with hard lives are the ones that make good stories. Now look over your whole story. The fears should range from anywhere as deep and integrated into the plot such as the fear of dying alone, to something as silly and simple as the fear of butterflies (which is a real fear by the way, linked to the fear of moths and called lepidopterophobia, but I digress). In Holocaust literature, it portrays humanity strained to the core. If you struggle with writing emotions, you aren’t alone. Some examples:  Homer, The Odyssey; Defoe, Robinson Crusoe; Jonathan Swift, Gulliver’s Travels; Tolstoy, War and Peace; Yann Martel, Life of Pi. Haha, torture the characters! A phobia is a strong, irrational fear about something that poses little or no threat. The Emotion Thesaurus: A Writer’s Guide to Character Expression has helped writers all over the globe, and it … Another character begs Reverend Parris to speak to the people to calm their fears. This is an excellent example of one of the only characters in the play whose fear is concerned with other people and not just himself as Mr Hale even resigns his job in a bid for justice. Browse the following list of fears for a few ideas or brainstorm a few fears of your own. People have likened it to Myers-Briggs theory, and while there is a large overlap of people who are interested in Myers-Briggs and … Then choose a scene and rewrite it, giving a character a fear that ties into that scene. [ted id=1637 width=560 height=315]By Marianna Torgovnick. Both change characters’ lives, with variable results. Artists are individualistic, idealistic, and romantic. Once again, the examples span the ancient classics all the way up to the present. 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